Podcast

Colin Bradley Art Cast is our Monthly Podcast that we started in 2013. It is an audio recording like a radio show where we have talking points and answer listeners questions.

Latest Episode

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Previous Podcasts

(Click to listen and view show notes):

Drawing Sheer Fabric

Inner Colin Voice

Choosing a Photo

Motivation

Inner Compass

What is an Artist?

Colour By Numbers

Horse in Progress

Drawing a Proud Lion

Lazy Bear

New Squirrel Study

Ginger Stripes

Striking Flowers

Drawing a Bulldog

Building Colours

Drawing an Australian Shepherd

Coloured Pencil Cat

Returning to Miniatures

New Discoveries

Sepia Tips and Techniques

Hitting a Plateau

Connecting with Commissions

Year in Review

Why are Stick Pastels being discontinued?

Drawing Books

Croaky Colin

Long Hair or Fur?

Storytelling through Art

Detailed Outlines

Drawing Turtles

Pencils over PanPastel

Wild Cat

False Starts

Changing up Renoir

In the Style of Renoir

Paintings Big and Small

Blending Impressionism with Realism

Restricted Colours

Pastels for Children

Drawing a Tartan Pattern

Folds in Fabric

Expanding Shadow Work

Tiger Tips

Long Fur and Neckerchiefs

Impressionism with Pencils

Keeping the Harmony

People-less Landscapes

Challenging Subjects

Grey Backgrounds

Blending on PastelMat

‘Erasing’ Coloured Pencils

Separating Trees

Cool and Warm Greys

Repetitive Drawing

Making White Stand Out

Keeping it Varied

Impressionism with 10 PanPastels

Returning to Commissions

Learning Contrast

Comparing Watercolour with PanPastel

PanPastel with Stick Pastel

Drawing Misty Landscapes

Creating Custom Mounts/Mats

First PanPastel Landscape

Fabricating Landscapes

Realism through Impressionism

UART vs PastelMat

Drafting Film

Drawing Free-Hand for Beginners

An Artist at Christmas

Benefits of Teaching

Pastel Dust & Skin Tones

Repeating Classes

Drawing a Teddy Bear

Contrast Lessons

Tricky Trees

Art with Emotion

Return to Shadow Work

Colin Bradley School of Art

Self Criticism and Inner Confidence

Transferrable Skills

Best Practices for Reference Photos

Benefits of Shadow Pictures

Watercolour vs Coloured Pencil vs Pastel Pencils

Coloured Pencil Techniques

Over Blending

Coloured Pencil Landscapes

Solvent As You Go

Discovering New Techniques

Simplifying Coloured Pencils

Animal Backgrounds

Trying Something New

Layering Colours

Contrasting Backgrounds

Early Morning or Late Night

Pulling Focus

Photographic Bias

Controlling the Contrast

 Increasing Your Range Of Pencils

When to Leave a Picture

Pictures in Shadow

Developing a Looser Style

Drawing Doris Day

Drawing Errol Flynn

Recreating "The Scream"

Working with Tracedown

Changing Focus and Attention

The Business of Art Q&A

Art is more important than ever

Technical Art Q&A

Art Career Q&A Podcast

Sharpening Pastel Pencils

Summer at Butlins

Visiting Castle Combe

Teaching Workshops

Drawing Racing Cars

Sucking Up

Winging It

The Bradley Gallery

Challenging Yourself

Enhancing Watercolour

A Post War Christmas

The Instinctive Artist

Drawing Fabric

Post Pastel Sticks

Finding Your Own Style

 Experimental Techniques

Pastel Stick Challenges

Impressionism Training

Breaking Down Watercolour

Overcoming Fears and Doubts

Future Pastel Stick Projects

Too Photographic

Having No Ego

Past Experience

Overcoming Fear of Failure

Renoir's "The Apple Seller"

Becoming an Art Tutor

Girl with the Pearl Earring

Turn your pictures upside down

Is using a Grid or Tracing Cheating?

Curtain, Jug and Fruit - Cézanne

Is Impressionism Easy?

Pastel Paper, Materials and Lighting

Too Much Pastel

A Bar at the Folies-Bergère

Running an Art Workshop

Stress Free

Constructing a Reggianini – The Letter

Secrets Behind Impressionism

Unveiling Demonstrations

When do you call yourself an artist?

Harmony

Working with PastelMat

Artistic Process

Warm and Cool Tones

Filling Paper with Pastel

Interpreting What You See

Polychromos & Soft Pastel

Dark to Light or Light to Dark

PastelMat & Velour Paper

Painting Commercially

Staying Young

Addiction

Pancaking Colour

Mixing Mediums

Updates and New Series

Business of Art

A2 Size Drawing

Checking Your Reference

Being 100% Happy

Graphite, Blending & Watercolour Basics

Portrait Skin Tones

Challenging Yourself

 Pricing Your Artwork

Art Projectors & Tracing

Magic of Impressionism

Paper Tones

Complementary Colours

Craftsy Q&A

All About Backgrounds

What Makes a Good Landscape

A Painting Makes You Feel

Realism to Impressionism

Entering Exhibitions

Visiting Craftsy

Framing and Fixing

Paper and Commissions

Trees and Greenery

Base Colour

Trial and Error

Gaining Confidence

We're Back

Christmas Special

Masterclass

Colin and the Frog

Sorry Derwent

Laying Dog

Ready Made Frames

Using Multiple Reference Photos

Making Prints

 Ocean Wildlife

Getting Coverage

What You’ll Learn At Art College

Boats at Rest

Making a Picture Your Own

Paintbrushes

Teaching an Art Class

Watercolour Pencils & Pen & Ink

Free Hand Drawing

Create an Illusion

Wildlife Backgrounds

Animal Fur

Portrait Base Colours

Drawing Pets and Relatives

Aquarelle Graphite Pencils

Drawing Cartoons

Using Highlights for Impressionism

Commission Work

 Escaping Reality

Mixing Pastel and Watercolour Pencils

Criticism

Watercolour Pencils

Protecting Your Work

Zipping Whiskers (Video)

Colours in Reference Photos

Animal Hair vs Human Hair

Live Broadcast 5th March 2015

Colouring Pencils vs Pastel Pencils

Infinite Patience

Vintage Scenes

Soft Pastels vs Pastel Pencils

Simple Backgrounds

 Art Therapy

Drawing Male Portraits

Rules of Landscapes

Key To Drawing Eyes

Colour Charcoal Pencils

Tracing With Carbons

Giving a Demonstration

Colour Harmony

Animal Composition

Sepia & Grey Tones

Colour Picking

Impressionistic Strokes

Bright White

Drawing Portraits

Workshops

Reflections in Water

Increasing Contrast

Drawing Trees

Your Mind's Eye

Preventing Smudging

 Pressure Scale

Leaving Your Comfort Zone

Angles and Tones

Practice Pieces

Grids & Marionettes

Skin Tones

Tones in Landscapes

Live from Westminster

Using Chalk Dust

No Looking Back

Background Base Colours

Increasing Your Confidence

 Juicy Peach, Juicy Nose

Live at Patchings Art Festival

Cows & Meadows

Think of Your 10th Picture

Rainbows & Mount Board

Mounting Miniatures

 Hidden Talents

Subduing Colours

Drawing Meadows

Long Fur & Tricky Reds

3 Shades of Fur

Choppy Seas

Victorian Children

Pan, Palette, Paper

Watercolour Wash

the "Bradley Squiggle"

Blending Tools

Inspiration

Painting on Canvas

Turning Professional

FrankenColin

Shiny Fruit

Warmer or Cooler Colours

Light over Dark

Reflection in Glass

Charcoal Pencil

Two-Third Rule

Animal Backgrounds

Artist’s Block

Hollyhocks

Smokey Skies

Shattering Effect

Shiny Black

Tracedown, Colourfix & Mousy Hair

Big Announcments

Putty Rubbers

Pastel Lives and Breathes

Cushion Colours

Blending Methods

HB or 2B? Pencils Explained

Tubes or Pans?

All about Watercolour

Breaking Copyright

Art College vs Self Taught

Free-hand help

Fantasy Land

Birthday Special

“Hello Colin!” – Painting Live on TV

Showing your work to others – a bonus or a necessity?

Denise’s Letter

Soul to Paper

Under the Spell

Paper Sparkle

Evolution Revolution

Cross City Q & A

A New Discovery

Reference Photos

Dramatic Landscapes

World of Miniatures

The Mystery of Pastel Boards

Live from London & Broadstairs

Best and Worst Dems…

Pen & Ink

How the Starter Packs.. started…

Square Drawings Pt2

Steve’s Story Pt.2

First Demo at Exhibition

Getting to Know Steve

Revelation at Flatford Mill

Colin’s first “Demonstration”

Steve’s Face & Live Q&A

Creating the Essence

Creating the Impression

Combining Mediums

Creativity Comes from Within

Boss-Eyed Puddy-Cat

Bone China & Squeaky Pencils

School Teachers don’t know it all

Welcome